3.9 Сюжет (англ.)
An experimental film shot in five broken sequences from the window in a café.
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An experimental film shot in five broken sequences from the window in a café.Сюжет (англ.)
A film of flickering photographs taken from various Sears Catalogues.
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A film of flickering photographs taken from various Sears Catalogues.
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The historical-revolutionary film by Dmitry Frolov, permeated with the romanticism of the revolutionary events of 1917, echoing the moods of August 1991. Since the film was shot the day ...
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The historical-revolutionary film by Dmitry Frolov, permeated with the romanticism of the revolutionary events of 1917, echoing the moods of August 1991. Since the film was shot the day ...Сюжет (англ.)
N/A
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N/AСюжет (англ.)
A black and white short film which documents a trip through Paris by train.
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A black and white short film which documents a trip through Paris by train.Сюжет (англ.)
A nude couple pose in an art studio on a square rug, while the camera does a circular traveling around them; the woman has her right knee on the floor and her right arm raised in front of her face, holding the man's thighs with her r
Living Sculptures: Film Study for Screen Artist (1903)
Living Sculptures: Film Study for Screen Artist
22 травня 1903
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A nude couple pose in an art studio on a square rug, while the camera does a circular traveling around them; the woman has her right knee on the floor and her right arm raised in front of her face, holding the man's thighs with her r
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Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.
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Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.
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"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
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"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."Сюжет (англ.)
The film follows artist Friedensreich Hundertwasser and presents his workings and his artistic and personal views.
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The film follows artist Friedensreich Hundertwasser and presents his workings and his artistic and personal views.
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John Cale's film, also known as "Fluxfilm No. 31", presents a silent and underexposed one-minute sequence of blinking lights on a police car shot at night in a New York City neighborhood.
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John Cale's film, also known as "Fluxfilm No. 31", presents a silent and underexposed one-minute sequence of blinking lights on a police car shot at night in a New York City neighborhood.Сюжет (англ.)
Single frame exposures of words, color.
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Single frame exposures of words, color.Сюжет (англ.)
An experimental short film from Ed and Irm Sommer.
Maria-Conception-Action: Hermann Nitsch (1969)
Maria-Conception-Action: Hermann Nitsch
31 грудня 1969
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An experimental short film from Ed and Irm Sommer.Сюжет (англ.)
The artist uses polka dots to cover and conceal people, animals, the environment, and everything around. It is a metaphor of giving up identity, abolishing uniqueness, and becoming one with the universe-or "self-obliteration."
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The artist uses polka dots to cover and conceal people, animals, the environment, and everything around. It is a metaphor of giving up identity, abolishing uniqueness, and becoming one with the universe-or "self-obliteration."
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На стилізованій сцені театру Но розгортається трагічна історія лейтенанта Сіндзі Такеями та його дружини Рейко. Після невдалого військового перевороту 1936 року офіцер отримує наказ стратити своїх товаришів, але не може зрадити ні честь, ні дружбу. Перед обличчям неминучого він проводить останню ніч із дружиною в атмосфері любові, відчаю та приреченості. Разом вони обирають шлях спільної смерті: він здійснює сеппуку, а вона слідує за ним. Фільм перетворює ритуал смерті на поетичне розмірковування про обов’язок, патріотизм, кохання й самознищення.
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На стилізованій сцені театру Но розгортається трагічна історія лейтенанта Сіндзі Такеями та його дружини Рейко. Після невдалого військового перевороту 1936 року офіцер отримує наказ стратити своїх товаришів, але не може зрадити ні честь, ні дружбу. Перед обличчям неминучого він проводить останню ніч із дружиною в атмосфері любові, відчаю та приреченості. Разом вони обирають шлях спільної смерті: він здійснює сеппуку, а вона слідує за ним. Фільм перетворює ритуал смерті на поетичне розмірковування про обов’язок, патріотизм, кохання й самознищення.Сюжет (англ.)
A short black and white film where circus performers entertain children.
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A short black and white film where circus performers entertain children.Сюжет
Бастер Кітон вирушає в залізничну подорож по Канаді.
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Бастер Кітон вирушає в залізничну подорож по Канаді.
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An experimental short by Hollis Frampton who films a couple and their dog as they walk farther away into the woods.
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An experimental short by Hollis Frampton who films a couple and their dog as they walk farther away into the woods.
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They were both wanderers but to be more specific...Hippies.Сюжет (англ.)
They were both wanderers but to be more specific...Hippies.Сюжет (англ.)
A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout.
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A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout.Сюжет (англ.)
manipulations of stock footage featuring a horse.
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manipulations of stock footage featuring a horse.Сюжет (англ.)
A twenty-minute, almost totally silent film (no dialogue or music one 'shhh!') in which Buster Keaton attempts to evade observation by an all-seeing eye. But, as the film is based around Bishop Berkeley's principle 'esse est percipi' (to be is to be perceived), Keaton's very existence conspires against his efforts
Сюжет (англ.)
A twenty-minute, almost totally silent film (no dialogue or music one 'shhh!') in which Buster Keaton attempts to evade observation by an all-seeing eye. But, as the film is based around Bishop Berkeley's principle 'esse est percipi' (to be is to be perceived), Keaton's very existence conspires against his effortsСюжет
Назва фільму походить від дослівного перекладу терміну «аутопсія» і є однією з частин «Піттсбурської трилогії», присвяченої міським інституціям. Експериментальна картина Стена Брекіджа безпристрасно фіксує повсякденне життя міського моргу і є одним з найпряміших зіткнень зі смертю, коли-небудь знятих на плівку.
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Назва фільму походить від дослівного перекладу терміну «аутопсія» і є однією з частин «Піттсбурської трилогії», присвяченої міським інституціям. Експериментальна картина Стена Брекіджа безпристрасно фіксує повсякденне життя міського моргу і є одним з найпряміших зіткнень зі смертю, коли-небудь знятих на плівку.Сюжет (англ.)
Lynch's first film project, it is basically an endlessly repeating film of people vomiting with their heads on fire projected on to a special sculptured screen featuring twisted three-dimensional faces in various states of puking.
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Lynch's first film project, it is basically an endlessly repeating film of people vomiting with their heads on fire projected on to a special sculptured screen featuring twisted three-dimensional faces in various states of puking.Фільтр Скинути фільтри
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