6.7 
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From a surreal paradise a shower of oil revives the thirsty cars and creatures.
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From a surreal paradise a shower of oil revives the thirsty cars and creatures.
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An animated short accompanied by a composition by jazz drummer Chico Hamilton.
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An animated short accompanied by a composition by jazz drummer Chico Hamilton.Сюжет (англ.)
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At ...
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This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At ...Сюжет (англ.)
'Adventures of Christopher Bosh in the Multiverse' is the true story behind the notorious Miami face-eating cannibal and how the Miami Heat won the NBA title in 2012 despite one of their ...
Adventures of Christopher Bosh in the Multiverse (2013)
Adventures of Christopher Bosh in the Multiverse
13 квітня 2013
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'Adventures of Christopher Bosh in the Multiverse' is the true story behind the notorious Miami face-eating cannibal and how the Miami Heat won the NBA title in 2012 despite one of their ...Сюжет (англ.)
Single frame exposures of words, color.
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Single frame exposures of words, color.
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An experimental film from artist Harry Smith and part of his Number series of various animated scenes.
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An experimental film from artist Harry Smith and part of his Number series of various animated scenes.Сюжет (англ.)
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
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Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
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An experimental animated short from Douglass Crockwell which derives its subject matter from his home Glens Falls.
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An experimental animated short from Douglass Crockwell which derives its subject matter from his home Glens Falls.
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Ryan Larkin's final animated short mixes live-action black-and-white footage of typical street musicians in the city of Montreal with animation synchronized with the music.
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Ryan Larkin's final animated short mixes live-action black-and-white footage of typical street musicians in the city of Montreal with animation synchronized with the music.Сюжет (англ.)
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Експериментальний фільм зображає фігуру в масці, яку камера обертає з різних ракурсів, створюючи гіпнотичний ефект. Через ритм і повторення глядач занурюється у стан медитації та тривоги. Робота досліджує природу сприйняття, руху і часу, поєднуючи традиційні японські мотиви з авангардною формою. Це візуальний досвід, що виходить за межі звичайного оповідання.
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Експериментальний фільм зображає фігуру в масці, яку камера обертає з різних ракурсів, створюючи гіпнотичний ефект. Через ритм і повторення глядач занурюється у стан медитації та тривоги. Робота досліджує природу сприйняття, руху і часу, поєднуючи традиційні японські мотиви з авангардною формою. Це візуальний досвід, що виходить за межі звичайного оповідання.Сюжет (англ.)
Electronic Arts Intermix describes Ed Emshwiller's pioneering experimental concept video as a digital sculpture: "Sunstone is a landmark tape. Symbolic and poetic, it is a pivotal work in ...
Сюжет (англ.)
Electronic Arts Intermix describes Ed Emshwiller's pioneering experimental concept video as a digital sculpture: "Sunstone is a landmark tape. Symbolic and poetic, it is a pivotal work in ...Сюжет (англ.)
An anthology of Harry Smith's films 1-5, 7, and 10, unfortunately without the divisions clearly marked.
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An anthology of Harry Smith's films 1-5, 7, and 10, unfortunately without the divisions clearly marked.Сюжет (англ.)
A porcelain doll and a sleeping woman. How will they interact through her dreams?
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A porcelain doll and a sleeping woman. How will they interact through her dreams?Сюжет (англ.)
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This is an abstract film in which every motion is in strict synchronization with music, so the description must be read in terms of the overall impression it gives. Within a deep blue environment, one red cube slowly drifts on a reflecting floor. Suddenly there are multiple red cubes drifting and dancing in various formations. Over the course of the film the angularity of square shapes are transformed into circular and cylindrical shapes. The climax of the film features a multitude of these shapes in Busby Berkeley-like formation, as various circular figures grow and disappear among a simulated sky, with the blue colors giving way to red.
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This is an abstract film in which every motion is in strict synchronization with music, so the description must be read in terms of the overall impression it gives. Within a deep blue environment, one red cube slowly drifts on a reflecting floor. Suddenly there are multiple red cubes drifting and dancing in various formations. Over the course of the film the angularity of square shapes are transformed into circular and cylindrical shapes. The climax of the film features a multitude of these shapes in Busby Berkeley-like formation, as various circular figures grow and disappear among a simulated sky, with the blue colors giving way to red.Сюжет (англ.)
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A house party. While Minnie plays piano and the guests dance, Mickey, Goofy, and Horace prepare a snack, which is brought out to much fanfare and immediately devoured. A band forms and plays Scott Joplin's The Entertainer; Mickey dances with Patricia Pig and various inanimate objects also dance, while all cry "Whoopee!" from time to time. The police come to break up the party.
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A house party. While Minnie plays piano and the guests dance, Mickey, Goofy, and Horace prepare a snack, which is brought out to much fanfare and immediately devoured. A band forms and plays Scott Joplin's The Entertainer; Mickey dances with Patricia Pig and various inanimate objects also dance, while all cry "Whoopee!" from time to time. The police come to break up the party.Сюжет (англ.)
Another barn dance. Minnie plays piano; Mickey plays fiddle, then percussion, then harmonica. Mickey dances with the huge Patricia Pig.
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Another barn dance. Minnie plays piano; Mickey plays fiddle, then percussion, then harmonica. Mickey dances with the huge Patricia Pig.Фільтр Скинути фільтри
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