The Birth of the Robot (1936)
1 жовтня 1936
6.6
6.6
Сюжет (англ.)
From a surreal paradise a shower of oil revives the thirsty cars and creatures.The Birth of the Robot (1936)
The Birth of the Robot
1 жовтня 1936
Сюжет (англ.)
From a surreal paradise a shower of oil revives the thirsty cars and creatures.
Shearing Animation (1961)
1 січня 1961
6.5
6.5
Сюжет (англ.)
An animated short accompanied by a composition by jazz drummer Chico Hamilton.Shearing Animation (1961)
Shearing Animation
1 січня 1961
Сюжет (англ.)
An animated short accompanied by a composition by jazz drummer Chico Hamilton.
Drums West (1961)
31 грудня 1961
6.8
6.8
Сюжет (англ.)
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At ...Drums West (1961)
Drums West
31 грудня 1961
Сюжет (англ.)
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At ...
Adventures of Christopher Bosh in the Multiverse (2013)
13 квітня 2013
5.9
5.9
Сюжет (англ.)
'Adventures of Christopher Bosh in the Multiverse' is the true story behind the notorious Miami face-eating cannibal and how the Miami Heat won the NBA title in 2012 despite one of their ...Adventures of Christopher Bosh in the Multiverse (2013)
Adventures of Christopher Bosh in the Multiverse
13 квітня 2013
Сюжет (англ.)
'Adventures of Christopher Bosh in the Multiverse' is the true story behind the notorious Miami face-eating cannibal and how the Miami Heat won the NBA title in 2012 despite one of their ...
Number 11: Mirror Animations (1956)
31 грудня 1956
6.4
6.4
Сюжет (англ.)
An experimental film from artist Harry Smith and part of his Number series of various animated scenes.Number 11: Mirror Animations (1956)
Number 11: Mirror Animations
31 грудня 1956
Сюжет (англ.)
An experimental film from artist Harry Smith and part of his Number series of various animated scenes.
Odds & Ends (1959)
1 січня 1959
6.6
6.6
Сюжет (англ.)
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.Odds & Ends (1959)
Odds & Ends
1 січня 1959
Сюжет (англ.)
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
Glens Falls Sequence (1937)
1 січня 1937
6.6
6.6
Сюжет (англ.)
An experimental animated short from Douglass Crockwell which derives its subject matter from his home Glens Falls.Glens Falls Sequence (1937)
Glens Falls Sequence
1 січня 1937
Сюжет (англ.)
An experimental animated short from Douglass Crockwell which derives its subject matter from his home Glens Falls.
Street Musique (1972)
1 січня 1972
7.3
7.3
Сюжет (англ.)
Ryan Larkin's final animated short mixes live-action black-and-white footage of typical street musicians in the city of Montreal with animation synchronized with the music.Street Musique (1972)
Street Musique
1 січня 1972
Сюжет (англ.)
Ryan Larkin's final animated short mixes live-action black-and-white footage of typical street musicians in the city of Montreal with animation synchronized with the music.
Атман (1975)
1 липня 1975
6.5
6.5
Сюжет
Експериментальний фільм зображає фігуру в масці, яку камера обертає з різних ракурсів, створюючи гіпнотичний ефект. Через ритм і повторення глядач занурюється у стан медитації та тривоги. Робота досліджує природу сприйняття, руху і часу, поєднуючи традиційні японські мотиви з авангардною формою. Це візуальний досвід, що виходить за межі звичайного оповідання.Атман (1975)
Atman
1 липня 1975
Сюжет
Експериментальний фільм зображає фігуру в масці, яку камера обертає з різних ракурсів, створюючи гіпнотичний ефект. Через ритм і повторення глядач занурюється у стан медитації та тривоги. Робота досліджує природу сприйняття, руху і часу, поєднуючи традиційні японські мотиви з авангардною формою. Це візуальний досвід, що виходить за межі звичайного оповідання.
Sunstone (1979)
31 грудня 1979
6.3
6.3
Сюжет (англ.)
Electronic Arts Intermix describes Ed Emshwiller's pioneering experimental concept video as a digital sculpture: "Sunstone is a landmark tape. Symbolic and poetic, it is a pivotal work in ...Sunstone (1979)
Sunstone
31 грудня 1979
Сюжет (англ.)
Electronic Arts Intermix describes Ed Emshwiller's pioneering experimental concept video as a digital sculpture: "Sunstone is a landmark tape. Symbolic and poetic, it is a pivotal work in ...
Early Abstractions (1987)
9 липня 1965
6.5
6.5
Сюжет (англ.)
An anthology of Harry Smith's films 1-5, 7, and 10, unfortunately without the divisions clearly marked.Early Abstractions (1987)
Early Abstractions
9 липня 1965
Сюжет (англ.)
An anthology of Harry Smith's films 1-5, 7, and 10, unfortunately without the divisions clearly marked.
The Comb (1991)
11 жовтня 1991
7.2
7.2
Сюжет (англ.)
A porcelain doll and a sleeping woman. How will they interact through her dreams?The Comb (1991)
The Comb
11 жовтня 1991
Сюжет (англ.)
A porcelain doll and a sleeping woman. How will they interact through her dreams?
Composition in Blue (1935)
28 червня 1935
6.8
6.8
Сюжет (англ.)
This is an abstract film in which every motion is in strict synchronization with music, so the description must be read in terms of the overall impression it gives. Within a deep blue environment, one red cube slowly drifts on a reflecting floor. Suddenly there are multiple red cubes drifting and dancing in various formations. Over the course of the film the angularity of square shapes are transformed into circular and cylindrical shapes. The climax of the film features a multitude of these shapes in Busby Berkeley-like formation, as various circular figures grow and disappear among a simulated sky, with the blue colors giving way to red.Composition in Blue (1935)
Composition in Blue
28 червня 1935
Сюжет (англ.)
This is an abstract film in which every motion is in strict synchronization with music, so the description must be read in terms of the overall impression it gives. Within a deep blue environment, one red cube slowly drifts on a reflecting floor. Suddenly there are multiple red cubes drifting and dancing in various formations. Over the course of the film the angularity of square shapes are transformed into circular and cylindrical shapes. The climax of the film features a multitude of these shapes in Busby Berkeley-like formation, as various circular figures grow and disappear among a simulated sky, with the blue colors giving way to red.
The Whoopee Party (1932)
17 вересня 1932
6.3
6.3
Сюжет (англ.)
A house party. While Minnie plays piano and the guests dance, Mickey, Goofy, and Horace prepare a snack, which is brought out to much fanfare and immediately devoured. A band forms and plays Scott Joplin's The Entertainer; Mickey dances with Patricia Pig and various inanimate objects also dance, while all cry "Whoopee!" from time to time. The police come to break up the party.The Whoopee Party (1932)
The Whoopee Party
17 вересня 1932
Сюжет (англ.)
A house party. While Minnie plays piano and the guests dance, Mickey, Goofy, and Horace prepare a snack, which is brought out to much fanfare and immediately devoured. A band forms and plays Scott Joplin's The Entertainer; Mickey dances with Patricia Pig and various inanimate objects also dance, while all cry "Whoopee!" from time to time. The police come to break up the party.
The Shindig (1930)
9 липня 1930
5.7
5.7
Сюжет (англ.)
Another barn dance. Minnie plays piano; Mickey plays fiddle, then percussion, then harmonica. Mickey dances with the huge Patricia Pig.The Shindig (1930)
The Shindig
9 липня 1930
Сюжет (англ.)
Another barn dance. Minnie plays piano; Mickey plays fiddle, then percussion, then harmonica. Mickey dances with the huge Patricia Pig.Фільтр Скинути фільтри
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