7.1 
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Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.
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Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.Сюжет (англ.)
Ryan Larkin's final animated short mixes live-action black-and-white footage of typical street musicians in the city of Montreal with animation synchronized with the music.
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Ryan Larkin's final animated short mixes live-action black-and-white footage of typical street musicians in the city of Montreal with animation synchronized with the music.Сюжет (англ.)
The tale about mad fox which scared all the inhabitants of the forest.
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The tale about mad fox which scared all the inhabitants of the forest.Сюжет (англ.)
An apocalyptic vision using cartoons and other imagery
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An apocalyptic vision using cartoons and other imageryСюжет (англ.)
Single frame exposures of words, color.
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Single frame exposures of words, color.
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Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery. There are perils: a boy falls, a lion roars. The lyric flights of ...
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Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery. There are perils: a boy falls, a lion roars. The lyric flights of ...
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The way bureaucracy works is told by men in the frames.
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The way bureaucracy works is told by men in the frames.Сюжет (англ.)
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A simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him.
The Dot and the Line: A Romance in Lower Mathematics (1965)
The Dot and the Line: A Romance in Lower Mathematics
15 грудня 1965
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A simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him.Сюжет (англ.)
An anthology of Harry Smith's films 1-5, 7, and 10, unfortunately without the divisions clearly marked.
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An anthology of Harry Smith's films 1-5, 7, and 10, unfortunately without the divisions clearly marked.
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Electronic Arts Intermix describes Ed Emshwiller's pioneering experimental concept video as a digital sculpture: "Sunstone is a landmark tape. Symbolic and poetic, it is a pivotal work in ...
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Electronic Arts Intermix describes Ed Emshwiller's pioneering experimental concept video as a digital sculpture: "Sunstone is a landmark tape. Symbolic and poetic, it is a pivotal work in ...Сюжет (англ.)
A porcelain doll and a sleeping woman. How will they interact through her dreams?
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A porcelain doll and a sleeping woman. How will they interact through her dreams?Сюжет (англ.)
An experimental animated short from Douglass Crockwell which derives its subject matter from his home Glens Falls.
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An experimental animated short from Douglass Crockwell which derives its subject matter from his home Glens Falls.
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Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
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Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.Сюжет (англ.)
An experimental film from artist Harry Smith and part of his Number series of various animated scenes.
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An experimental film from artist Harry Smith and part of his Number series of various animated scenes.Сюжет (англ.)
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An experimental short film centered around a collage of magazine and sound clips.
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An experimental short film centered around a collage of magazine and sound clips.Сюжет (англ.)
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In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...
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In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...Сюжет
Експериментальний фільм зображає фігуру в масці, яку камера обертає з різних ракурсів, створюючи гіпнотичний ефект. Через ритм і повторення глядач занурюється у стан медитації та тривоги. Робота досліджує природу сприйняття, руху і часу, поєднуючи традиційні японські мотиви з авангардною формою. Це візуальний досвід, що виходить за межі звичайного оповідання.
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Експериментальний фільм зображає фігуру в масці, яку камера обертає з різних ракурсів, створюючи гіпнотичний ефект. Через ритм і повторення глядач занурюється у стан медитації та тривоги. Робота досліджує природу сприйняття, руху і часу, поєднуючи традиційні японські мотиви з авангардною формою. Це візуальний досвід, що виходить за межі звичайного оповідання.Фільтр Скинути фільтри
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