3.8 Сюжет (англ.)
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
Сюжет (англ.)
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.Сюжет (англ.)
In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.
Сюжет (англ.)
In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.
Сюжет (англ.)
Flicker: White and black alternating frames.
Сюжет (англ.)
Flicker: White and black alternating frames.Сюжет (англ.)
Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.
Сюжет (англ.)
Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.
Сюжет (англ.)
Danish performance artist Eric Andersen, associated since the early 1960s with the Fluxus art movement, describes his film as a montage of "single frame exposures, color, different image each frame, various items in the room, etc."
Сюжет (англ.)
Danish performance artist Eric Andersen, associated since the early 1960s with the Fluxus art movement, describes his film as a montage of "single frame exposures, color, different image each frame, various items in the room, etc."
Сюжет (англ.)
Single frame exposures of words, color.
Сюжет (англ.)
Single frame exposures of words, color.
Сюжет (англ.)
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.
Сюжет (англ.)
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.Сюжет (англ.)
Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.
Сюжет (англ.)
Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.
Сюжет (англ.)
Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.
Сюжет (англ.)
Explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy.Сюжет (англ.)
A simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him.
The Dot and the Line: A Romance in Lower Mathematics (1965)
The Dot and the Line: A Romance in Lower Mathematics
15 грудня 1965
Сюжет (англ.)
A simple line attempts to woo his true love, a dot, away from the unkempt squiggle she prefers. But he'll have to learn to bend before she'll notice him.Сюжет (англ.)
N/A
Сюжет (англ.)
N/AСюжет (англ.)
Lynch's first film project, it is basically an endlessly repeating film of people vomiting with their heads on fire projected on to a special sculptured screen featuring twisted three-dimensional faces in various states of puking.
Сюжет (англ.)
Lynch's first film project, it is basically an endlessly repeating film of people vomiting with their heads on fire projected on to a special sculptured screen featuring twisted three-dimensional faces in various states of puking.Сюжет (англ.)
This film shows a German student (Randal Kleiser) escaping across the Berlin Border and being shot to death, while on the soundtrack, various platitudes about dying for freedom can be heard.
Сюжет (англ.)
This film shows a German student (Randal Kleiser) escaping across the Berlin Border and being shot to death, while on the soundtrack, various platitudes about dying for freedom can be heard.Сюжет (англ.)
An unknown observer is seen traveling through a bleak corridor. At the end of the corridor they see a naked woman, whom they are unable to reach as their trip seems to become increasingly twisted and looped.
Сюжет (англ.)
An unknown observer is seen traveling through a bleak corridor. At the end of the corridor they see a naked woman, whom they are unable to reach as their trip seems to become increasingly twisted and looped.Сюжет (англ.)
Young Jimmy accepts a ride home from a friendly stranger, Ralph. Jimmy likes Ralph. Ralph likes Jimmy. Ralph REALLY likes Jimmy. Ralph likes Jimmy so much he persuades Jimmy to go to a motel with him. In the motel room, Jimmy decides he doesn't like Ralph THAT much. Ralph has other ideas.
Сюжет (англ.)
Young Jimmy accepts a ride home from a friendly stranger, Ralph. Jimmy likes Ralph. Ralph likes Jimmy. Ralph REALLY likes Jimmy. Ralph likes Jimmy so much he persuades Jimmy to go to a motel with him. In the motel room, Jimmy decides he doesn't like Ralph THAT much. Ralph has other ideas.Сюжет (англ.)
An experimental short film from Robert Breer combining various shapes and colors.
Сюжет (англ.)
An experimental short film from Robert Breer combining various shapes and colors.Сюжет (англ.)
N/A
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N/AСюжет (англ.)
Introducing some innovative film techniques, Emshwiller won a Special Award at the Brussels Experimental Film Festival for this expression of internal anguish. He described the film as "The confrontation of a man and his torment. Juxtaposed against his external composure are images of a woman and lights in distortion, with tension heightened by the sounds of power saws and a heartbeat."
Сюжет (англ.)
Introducing some innovative film techniques, Emshwiller won a Special Award at the Brussels Experimental Film Festival for this expression of internal anguish. He described the film as "The confrontation of a man and his torment. Juxtaposed against his external composure are images of a woman and lights in distortion, with tension heightened by the sounds of power saws and a heartbeat."Сюжет (англ.)
N/A
Сюжет (англ.)
N/AСюжет
Експериментальний фільм Стена Брекіджа, створений шляхом малювання зображень безпосередньо на самій кіноплівці.
Сюжет
Експериментальний фільм Стена Брекіджа, створений шляхом малювання зображень безпосередньо на самій кіноплівці.Сюжет
Назва фільму походить від дослівного перекладу терміну «аутопсія» і є однією з частин «Піттсбурської трилогії», присвяченої міським інституціям. Експериментальна картина Стена Брекіджа безпристрасно фіксує повсякденне життя міського моргу і є одним з найпряміших зіткнень зі смертю, коли-небудь знятих на плівку.
Сюжет
Назва фільму походить від дослівного перекладу терміну «аутопсія» і є однією з частин «Піттсбурської трилогії», присвяченої міським інституціям. Експериментальна картина Стена Брекіджа безпристрасно фіксує повсякденне життя міського моргу і є одним з найпряміших зіткнень зі смертю, коли-небудь знятих на плівку.Сюжет (англ.)
The story is set in a futursitic society somwhat similar to George Orwell's 1984. People are identified by 4 digit numbers rather than names and all their movements are under constant scrutiny via computerized cameras. The story revolves around one man (1138) trying to escape from the system. The number of the leader of this society is 0000.
Сюжет (англ.)
The story is set in a futursitic society somwhat similar to George Orwell's 1984. People are identified by 4 digit numbers rather than names and all their movements are under constant scrutiny via computerized cameras. The story revolves around one man (1138) trying to escape from the system. The number of the leader of this society is 0000.Сюжет (англ.)
Bug and the Tasmanian Devil at the doctor's office.
Сюжет (англ.)
Bug and the Tasmanian Devil at the doctor's office.Сюжет
Експериментальний безсюжетний фільм Стена Брекіджа, який він створив з перфорованої стрічки, крилець комах та сухого листя, не використовуючи при цьому звичайну камеру.
Сюжет
Експериментальний безсюжетний фільм Стена Брекіджа, який він створив з перфорованої стрічки, крилець комах та сухого листя, не використовуючи при цьому звичайну камеру.Фільтр Скинути фільтри
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