Kusama's Self-Obliteration (1967)
31 грудня 1967
5.5
5.5
Сюжет (англ.)
The artist uses polka dots to cover and conceal people, animals, the environment, and everything around. It is a metaphor of giving up identity, abolishing uniqueness, and becoming one with the universe-or "self-obliteration."Kusama's Self-Obliteration (1967)
Kusama's Self-Obliteration
31 грудня 1967
Сюжет (англ.)
The artist uses polka dots to cover and conceal people, animals, the environment, and everything around. It is a metaphor of giving up identity, abolishing uniqueness, and becoming one with the universe-or "self-obliteration."
Shearing Animation (1961)
1 січня 1961
6.5
6.5
Сюжет (англ.)
An animated short accompanied by a composition by jazz drummer Chico Hamilton.Shearing Animation (1961)
Shearing Animation
1 січня 1961
Сюжет (англ.)
An animated short accompanied by a composition by jazz drummer Chico Hamilton.
Drums West (1961)
31 грудня 1961
6.8
6.8
Сюжет (англ.)
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At ...Drums West (1961)
Drums West
31 грудня 1961
Сюжет (англ.)
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At ...
Zen for Film (1964)
21 березня 1964
5.2
5.2
Сюжет (англ.)
In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.Zen for Film (1964)
Zen for Film
21 березня 1964
Сюжет (англ.)
In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.
Dance (1966)
1 січня 1966
4.9
4.9
Сюжет (англ.)
Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.Dance (1966)
Dance
1 січня 1966
Сюжет (англ.)
Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor. Boxes the wall.
Opus 74, Version 2 (1966)
1 січня 1966
5.2
5.2
Сюжет (англ.)
Danish performance artist Eric Andersen, associated since the early 1960s with the Fluxus art movement, describes his film as a montage of "single frame exposures, color, different image each frame, various items in the room, etc."Opus 74, Version 2 (1966)
Opus 74, Version 2
1 січня 1966
Сюжет (англ.)
Danish performance artist Eric Andersen, associated since the early 1960s with the Fluxus art movement, describes his film as a montage of "single frame exposures, color, different image each frame, various items in the room, etc."
Eyeblink (1966)
10 березня 1966
3.8
3.8
Сюжет (англ.)
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.Eyeblink (1966)
Eyeblink
10 березня 1966
Сюжет (англ.)
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
Odds & Ends (1959)
1 січня 1959
6.6
6.6
Сюжет (англ.)
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.Odds & Ends (1959)
Odds & Ends
1 січня 1959
Сюжет (англ.)
Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.
Міф про око (1967)
28 серпня 1977
5.9
5.9
Сюжет
Експериментальний фільм Стена Брекіджа, створений шляхом малювання зображень безпосередньо на самій кіноплівці.Міф про око (1967)
Eye Myth
28 серпня 1977
Сюжет
Експериментальний фільм Стена Брекіджа, створений шляхом малювання зображень безпосередньо на самій кіноплівці.
The Hand (1965)
1 січня 1965
7.9
7.9
Сюжет (англ.)
A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant....The Hand (1965)
The Hand
1 січня 1965
Сюжет (англ.)
A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant....
The Reality of Karel Appel (1962)
31 травня 1962
5.9
5.9
Сюжет (англ.)
A short film which documents Dutch artist Karel Appel working in his studio.The Reality of Karel Appel (1962)
The Reality of Karel Appel
31 травня 1962
Сюжет (англ.)
A short film which documents Dutch artist Karel Appel working in his studio.
The Perfect Human (1967)
14 червня 1968
7.2
7.2
Сюжет (англ.)
An elegant and humorous film-in the guise of a serious anthropological treatise-spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.The Perfect Human (1967)
The Perfect Human
14 червня 1968
Сюжет (англ.)
An elegant and humorous film-in the guise of a serious anthropological treatise-spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.
Eskimo Artist: Kenojuak (1964)
1 січня 1964
6.6
6.6
Сюжет (англ.)
A short film that shows the work of the Inuit artist Kenojuak Ashevak.Eskimo Artist: Kenojuak (1964)
Eskimo Artist: Kenojuak
1 січня 1964
Сюжет (англ.)
A short film that shows the work of the Inuit artist Kenojuak Ashevak.
Наша африканська подорож (1966)
14 жовтня 1966
6.1
6.1
Сюжет
Кубелку попросили зняти документальний фільм про поїздку європейських мисливців до Африки. Використовуючи екстремальний монтаж та революційну аудіо-відео синхронізацію для ілюзії безперервності подій, режисеру вдалося створити один з найважливіших експериментальних фільмів усіх часів.Наша африканська подорож (1966)
Our Trip to Africa
14 жовтня 1966
Сюжет
Кубелку попросили зняти документальний фільм про поїздку європейських мисливців до Африки. Використовуючи екстремальний монтаж та революційну аудіо-відео синхронізацію для ілюзії безперервності подій, режисеру вдалося створити один з найважливіших експериментальних фільмів усіх часів.Фільтр Скинути фільтри
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