0.0 Сюжет
Історично-документальний фільм про Голодомор в Україні 1932-1933 років, сюжетна лінія якого побудована на інтерв'ю живих очевидців і дослідників Голодомору, зокрема, показано інтерв'ю з відомим вченим Гарвардського університету Джеймсом Мейсом, з яким автор фільму Тарас Гукало провів незлічену кількість годин. Ця маловідома документальна стрічка була першим фільмом про Голодомор в Україні, випереджуючи відомий «Жнива розпачу (фільм)», який теж створений у Канаді.
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Історично-документальний фільм про Голодомор в Україні 1932-1933 років, сюжетна лінія якого побудована на інтерв'ю живих очевидців і дослідників Голодомору, зокрема, показано інтерв'ю з відомим вченим Гарвардського університету Джеймсом Мейсом, з яким автор фільму Тарас Гукало провів незлічену кількість годин. Ця маловідома документальна стрічка була першим фільмом про Голодомор в Україні, випереджуючи відомий «Жнива розпачу (фільм)», який теж створений у Канаді.Сюжет (англ.)
An illustration of the teasing of the Montreal's Italians between their love of what was their home country and their need, like many immigrants and sons of immigrants, to be accepted and integrated in their new society. From the his
Сюжет (англ.)
An illustration of the teasing of the Montreal's Italians between their love of what was their home country and their need, like many immigrants and sons of immigrants, to be accepted and integrated in their new society. From the hisСюжет (англ.)
Pierre Perrault emmène Stéphane-Albert Boulais (de 'La bête lumineuse', un de ses films) à la découverte de Saint-Malo et de Jacques Cartier, dans la perspective du 450e anniversaire de la ...
Сюжет (англ.)
Pierre Perrault emmène Stéphane-Albert Boulais (de 'La bête lumineuse', un de ses films) à la découverte de Saint-Malo et de Jacques Cartier, dans la perspective du 450e anniversaire de la ...Сюжет (англ.)
-Released in 1985, this poetic tribute to the St. Lawrence River is the second of two films commemorating the 450th anniversary of Jacques Cartier's first voyage to America. Director Pierre Perrault joins a crew of French and Quebec
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-Released in 1985, this poetic tribute to the St. Lawrence River is the second of two films commemorating the 450th anniversary of Jacques Cartier's first voyage to America. Director Pierre Perrault joins a crew of French and QuebecСюжет (англ.)
Du fond de la baie aux Feuilles, elle-même au creux de la baie d'Ungava, au solstice d'été, un cinéaste fait le guet. Sa caméra balaie la toundra, à la recherche d'une harde de boeufs ...
Ougmigmag or The Fickle Art of Documentary Filmmaking (1993)
Ougmigmag or The Fickle Art of Documentary Filmmaking
1 липня 1993
Сюжет (англ.)
Du fond de la baie aux Feuilles, elle-même au creux de la baie d'Ungava, au solstice d'été, un cinéaste fait le guet. Sa caméra balaie la toundra, à la recherche d'une harde de boeufs ...
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A distorted vision of trees and dreams.
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A distorted vision of trees and dreams.Сюжет (англ.)
Experimental short in which sentences are formed by displaying one word at a time and at alternating speeds.
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Experimental short in which sentences are formed by displaying one word at a time and at alternating speeds.
Сюжет (англ.)
Every year, the "Canadian" bourgeoisie gets together. Our bilingual, bi-cultural negro kings celebrate colonialism's golden age.
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Every year, the "Canadian" bourgeoisie gets together. Our bilingual, bi-cultural negro kings celebrate colonialism's golden age.Сюжет (англ.)
In December 1982 the Iron Ore Company decide to close their iron mining facilities at Schefferville in the Nouveau-Quebec region. To close the mine is to close the town. The mine is the only employer. Raoul lost his job 10 years afte
Сюжет (англ.)
In December 1982 the Iron Ore Company decide to close their iron mining facilities at Schefferville in the Nouveau-Quebec region. To close the mine is to close the town. The mine is the only employer. Raoul lost his job 10 years afteСюжет (англ.)
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
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Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
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Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
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Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.Сюжет (англ.)
American Dreams is chock full of concrete, discrete elements that comprise an American iconography of the past three decades. The film encourages a kind of perverse nostalgia for 'the good ...
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American Dreams is chock full of concrete, discrete elements that comprise an American iconography of the past three decades. The film encourages a kind of perverse nostalgia for 'the good ...Сюжет (англ.)
An intimate, first-person story documenting the last two years in the life of a young doctor with AIDS.
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An intimate, first-person story documenting the last two years in the life of a young doctor with AIDS.Сюжет (англ.)
The U. S. Congress is one of the country's most important and misunderstood institutions. Ken Burns tells the story behind this branch of government.
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The U. S. Congress is one of the country's most important and misunderstood institutions. Ken Burns tells the story behind this branch of government.
Сюжет (англ.)
A global look at the impact of military use of nuclear technology and people's perception of it.
Сюжет (англ.)
A global look at the impact of military use of nuclear technology and people's perception of it.
Сюжет (англ.)
Hundreds of excerpts from 60 French films produced by the NFB over the course of 50 years are assembled to offer a look at the evolution of how women have been portrayed on film.
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Hundreds of excerpts from 60 French films produced by the NFB over the course of 50 years are assembled to offer a look at the evolution of how women have been portrayed on film.Сюжет (англ.)
A significant number of American children and teenagers - from all social backgrounds - suffer from mental disorders, schizophrenia, autism and emotional problems, leading them to isolation from society while treating their issues in mental health facilities. But there's no end in sight for those young individuals when they face obstacles and mistreatments in inadequate places under the supervision of careless and inexperienced professionals. The documentary follows some of those public mental institutions and another private center dealing with troubled kids and reveals what's wrong with their procedures, and the irreparable harm they cause in those patients.
Сюжет (англ.)
A significant number of American children and teenagers - from all social backgrounds - suffer from mental disorders, schizophrenia, autism and emotional problems, leading them to isolation from society while treating their issues in mental health facilities. But there's no end in sight for those young individuals when they face obstacles and mistreatments in inadequate places under the supervision of careless and inexperienced professionals. The documentary follows some of those public mental institutions and another private center dealing with troubled kids and reveals what's wrong with their procedures, and the irreparable harm they cause in those patients.Сюжет
Молодий і гарячий хлопець на ім'я Мартін уже два роки виграє у телешоу, де підкорює скелю, встановлену прямо в студії. Рочч – майстер світового класу та очолює нову хвилю альпіністів. Рочч бачить у Мартіні лише «акробата», який здатний на чоловічі вчинки. Між хлопцями виникає суперечка. Вони обидва мають підкорити гірську вершину в Аргентині під назвою Серро Торре. Журналісти, колеги, друзі та два суперники вирушають на місце, де вирішитися ця суперечка та хлопці чекають сприятливих погодних умов, щоб підкорити вершину. Хто переможе у цій битві: досвідчений альпініст Рочч чи хлопець із телевізійного шоу, який і гір ніколи не бачив?
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Молодий і гарячий хлопець на ім'я Мартін уже два роки виграє у телешоу, де підкорює скелю, встановлену прямо в студії. Рочч – майстер світового класу та очолює нову хвилю альпіністів. Рочч бачить у Мартіні лише «акробата», який здатний на чоловічі вчинки. Між хлопцями виникає суперечка. Вони обидва мають підкорити гірську вершину в Аргентині під назвою Серро Торре. Журналісти, колеги, друзі та два суперники вирушають на місце, де вирішитися ця суперечка та хлопці чекають сприятливих погодних умов, щоб підкорити вершину. Хто переможе у цій битві: досвідчений альпініст Рочч чи хлопець із телевізійного шоу, який і гір ніколи не бачив?Сюжет (англ.)
In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's and 1960's typified with the rise of the dramatically innovative Marvel Comics edited by Stan Lee. Still more important is the rise of the the gleefully uninhibited underground comics created by eccentric talents like Robert Crumb and Dan O'Neill. These leads to profiles of creaters like Harvey Pekar who take the medium into new directions of expression. In the late 1970s and '80s we see the rise of alternative comics with such bold talents like Jaime Hernández for "Love and Rockets, Sue Coe for How to Commit Suicide in South Africa and especially for Art Spiegelman for his searing Pulitizer Prize winning Holocaust account, Maus. Finally, we learn of the medium's superhero mythos' revitalizing moment with the creation of Frank Miller's ferocious min-series "Batman: The Dark Knight Returns". Taken together, the film makes its arguement that the medium is far more than the stereotype of juvenile trash but rather it is an artform with a wild history and an exciting future.
Сюжет (англ.)
In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's and 1960's typified with the rise of the dramatically innovative Marvel Comics edited by Stan Lee. Still more important is the rise of the the gleefully uninhibited underground comics created by eccentric talents like Robert Crumb and Dan O'Neill. These leads to profiles of creaters like Harvey Pekar who take the medium into new directions of expression. In the late 1970s and '80s we see the rise of alternative comics with such bold talents like Jaime Hernández for "Love and Rockets, Sue Coe for How to Commit Suicide in South Africa and especially for Art Spiegelman for his searing Pulitizer Prize winning Holocaust account, Maus. Finally, we learn of the medium's superhero mythos' revitalizing moment with the creation of Frank Miller's ferocious min-series "Batman: The Dark Knight Returns". Taken together, the film makes its arguement that the medium is far more than the stereotype of juvenile trash but rather it is an artform with a wild history and an exciting future.Сюжет (англ.)
This film showcases Noam Chomsky, one of America's leading linguists and political dissidents. It also illustrates his message of how government and big media businesses cooperate to produce an effective propaganda machine in order to manipulate the opinions of the United States populous. The key example for this analysis is the simultaneous events of the massive coverage of the communist atrocities of Khmer Rouge regime of Cambodia and the suppression of news of the US supported Indonesian invasion and subjugation of East Timor.
Manufacturing Consent: Noam Chomsky and the Media (1992)
Manufacturing Consent: Noam Chomsky and the Media
6 листопада 1992
Сюжет (англ.)
This film showcases Noam Chomsky, one of America's leading linguists and political dissidents. It also illustrates his message of how government and big media businesses cooperate to produce an effective propaganda machine in order to manipulate the opinions of the United States populous. The key example for this analysis is the simultaneous events of the massive coverage of the communist atrocities of Khmer Rouge regime of Cambodia and the suppression of news of the US supported Indonesian invasion and subjugation of East Timor.Сюжет (англ.)
From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.
Сюжет (англ.)
From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.Фільтр Скинути фільтри
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