Сюжет (англ.)
He's the greatest fighter of all time. A sports icon that is loved throughout the world. A man driven by his ambition to be the best. Muhammad Ali is a name that to this day puts fear in the strongest of men. Hear from the people who knew him best, from experts of the world of boxing, relive the legendary fights and explore the life of boxing's greatest symbol, Ali.
Float Like a Butterfly, Sting Like a Bee (1969)
Float Like a Butterfly, Sting Like a Bee
9 квітня 1974
Сюжет (англ.)
He's the greatest fighter of all time. A sports icon that is loved throughout the world. A man driven by his ambition to be the best. Muhammad Ali is a name that to this day puts fear in the strongest of men. Hear from the people who knew him best, from experts of the world of boxing, relive the legendary fights and explore the life of boxing's greatest symbol, Ali.Сюжет (англ.)
Documentary about the play 1789 by Theatre du Soleil at La Cartoucherie de Vincennes.Сюжет (англ.)
Explores the subject of atrocities during wartime, especially during World War II and the Vietnam War.Сюжет (англ.)
Explores the subject of atrocities during wartime, especially during World War II and the Vietnam War.Сюжет (англ.)
A documentary examining life in Israel twenty-five years after the birth of the state.Сюжет (англ.)
A documentary examining life in Israel twenty-five years after the birth of the state.Сюжет (англ.)
A follow-up to Be Seeing You (À bientôt, j’espère), this collective work—initiated by Chris Marker and the Medvedkin Group—was made in collaboration with workers at the Yema Watch Factory in Besançon. It follows a female worker who becomes active in labor organizing, depicting everyday struggles and the growing consciousness within the French labor movement.Сюжет (англ.)
A follow-up to Be Seeing You (À bientôt, j’espère), this collective work—initiated by Chris Marker and the Medvedkin Group—was made in collaboration with workers at the Yema Watch Factory in Besançon. It follows a female worker who becomes active in labor organizing, depicting everyday struggles and the growing consciousness within the French labor movement.Сюжет (англ.)
In mud flats along the coast of Brittany we watch acera, small ball-shaped mollusks that are about two inches in diameter. They rest in mud; then, in water, they dance, their skirt-like ...Сюжет (англ.)
In mud flats along the coast of Brittany we watch acera, small ball-shaped mollusks that are about two inches in diameter. They rest in mud; then, in water, they dance, their skirt-like ...Сюжет (англ.)
This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with death, the soon dead, and the ...Сюжет (англ.)
This morbid, unusual, and critically acclaimed documentary was filmed in the most exotic locations all over the world. Of the Dead (Des Morts) deals with death, the soon dead, and the ...Сюжет (англ.)
After the events of May 1968, the French went on vacations - and they were filmed during three months on the rural fairs, on the beaches, on promotional campaigns for products and ...Сюжет (англ.)
After the events of May 1968, the French went on vacations - and they were filmed during three months on the rural fairs, on the beaches, on promotional campaigns for products and ...Сюжет (англ.)
Letter to Jane (1972) is a postscript film to Tout va bien directed by Jean-Luc Godard and Jean-Pierre Gorin and made under the auspices of the Dziga Vertov Group. Narrated in a ...Сюжет (англ.)
Letter to Jane (1972) is a postscript film to Tout va bien directed by Jean-Luc Godard and Jean-Pierre Gorin and made under the auspices of the Dziga Vertov Group. Narrated in a ...Сюжет (англ.)
Chantal Akerman, the Belgian filmmaker, lives in New York. Filmed images of the City are accompanied by the texts of Chantal Akerman's loving but manipulative mother back home in Brussels. ...Сюжет (англ.)
Chantal Akerman, the Belgian filmmaker, lives in New York. Filmed images of the City are accompanied by the texts of Chantal Akerman's loving but manipulative mother back home in Brussels. ...Сюжет (англ.)
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is ...Сюжет (англ.)
A witty and eye-opening tour through Borowczyk's own collection of vintage erotica. Originally intended as part of his 'Contes immoraux', it was released first as a separate short, and is ...Сюжет (англ.)
From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and resistance fighters from Clermont-Ferrand. They comment on the nature, details and reasons for the collaboration, from anti-Semitism, xenophobia, and fear of Bolsheviks, to simple caution. Part one, "The Collapse," includes an extended interview with Pierre Mendès-France, jailed for anti-Vichy action and later France's Prime Minister. At the heart of part two, "The Choice," is an interview with Christian de la Mazière, one of 7,000 French youth to fight on the eastern front wearing German uniforms.Сюжет (англ.)
From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and resistance fighters from Clermont-Ferrand. They comment on the nature, details and reasons for the collaboration, from anti-Semitism, xenophobia, and fear of Bolsheviks, to simple caution. Part one, "The Collapse," includes an extended interview with Pierre Mendès-France, jailed for anti-Vichy action and later France's Prime Minister. At the heart of part two, "The Choice," is an interview with Christian de la Mazière, one of 7,000 French youth to fight on the eastern front wearing German uniforms.Сюжет (англ.)
A documentary that follows Dr. Penny Patterson's current scientific study of Koko, a gorilla who communicates through American Sign Language.Сюжет (англ.)
A documentary that follows Dr. Penny Patterson's current scientific study of Koko, a gorilla who communicates through American Sign Language.Сюжет (англ.)
From the end of a night to dawn. An uninterrupted traveling shot. From Bastille to the Champs-Elysees, by way of the Boulevard des Italiens, Avenue de l'Opera, and Rue de Rivoli, a depopulated Paris offers itself to Marguerite Dur...Сюжет (англ.)
From the end of a night to dawn. An uninterrupted traveling shot. From Bastille to the Champs-Elysees, by way of the Boulevard des Italiens, Avenue de l'Opera, and Rue de Rivoli, a depopulated Paris offers itself to Marguerite Dur...Сюжет (англ.)
The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.Сюжет (англ.)
The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.Сюжет
Це калейдоскоп приголомшливих сцен життя Калькутти кінця 60-х років ХХ століття з населенням у 8 000 000 осіб: багаті і бідні, екзотичні і звичайні, мирські і релігійні, діти і дорослі, рухомі і не живі. Все це у супроводі мінімальної кількості коментарів.Сюжет
Це калейдоскоп приголомшливих сцен життя Калькутти кінця 60-х років ХХ століття з населенням у 8 000 000 осіб: багаті і бідні, екзотичні і звичайні, мирські і релігійні, діти і дорослі, рухомі і не живі. Все це у супроводі мінімальної кількості коментарів.Сюжет (англ.)
Vibrant scenes of individuals' daily life are filmed in Place de la République.Сюжет (англ.)
Director Hans-Jurgen Syberberg examines the rise and fall of the Third Reich in this brooding seven-hour masterpiece, which incorporates puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. Syberberg, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.Сюжет (англ.)
Director Hans-Jurgen Syberberg examines the rise and fall of the Third Reich in this brooding seven-hour masterpiece, which incorporates puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. Syberberg, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.Сюжет (англ.)
Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived.Сюжет (англ.)
Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived.Сюжет (англ.)
A group of friends listen as one man tells them a story about a time when, in a small cafe, he discovered a peephole into the ladies' bathroom and became addicted to looking through it at female genitals. They ask him questions and come to conclusions about sex. This is a filmed, scripted version. Then, the actual person who this happened to relates the same story; this time, however, it is an unscripted documentary, in which the same things occur as in the scripted one.Сюжет (англ.)
A group of friends listen as one man tells them a story about a time when, in a small cafe, he discovered a peephole into the ladies' bathroom and became addicted to looking through it at female genitals. They ask him questions and come to conclusions about sex. This is a filmed, scripted version. Then, the actual person who this happened to relates the same story; this time, however, it is an unscripted documentary, in which the same things occur as in the scripted one.Сюжет (англ.)
N/A
We Spin Around the Night Consumed by the Fire (1978)
We Spin Around the Night Consumed by the Fire
12 березня 1978
Сюжет (англ.)
N/AСюжет (англ.)
Biographical film about Jean Seberg, losely based on Nitschz's Anti-Christ.Сюжет (англ.)
Title cards introduce images we watch without narration; they are displays of shape and color. François de Roubaix's electronic music accompanies these images, photographed under a polarizing microscope. Some liquids obey the laws of crystallization; we observe those transformations. Sometimes objects flowing, other times they change as if in a kaleidoscope. Colors give way to sepia, then back to multiple colors. The crystals can look like tiny organisms: small four-part fans share the frame with flowing lines of pink. Multiple patterns appear side by side.Сюжет (англ.)
Title cards introduce images we watch without narration; they are displays of shape and color. François de Roubaix's electronic music accompanies these images, photographed under a polarizing microscope. Some liquids obey the laws of crystallization; we observe those transformations. Sometimes objects flowing, other times they change as if in a kaleidoscope. Colors give way to sepia, then back to multiple colors. The crystals can look like tiny organisms: small four-part fans share the frame with flowing lines of pink. Multiple patterns appear side by side.Сюжет (англ.)
A documentary on the military dictator of Africa's Uganda.Сюжет (англ.)
Godard, Miéville and Gorin (aka the "Dziga Vertov Group") examine the parallel lives of two families - one French, one Palestinian - using an exploratory combination of film and video.Сюжет (англ.)
Godard, Miéville and Gorin (aka the "Dziga Vertov Group") examine the parallel lives of two families - one French, one Palestinian - using an exploratory combination of film and video.Сюжет (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.Сюжет (англ.)
Guy Debord's landmark cinematic analysis of consumer society is based on his influential sociological book "La société du spectacle" (1967). Debord was a leading member of the avant-garde art movement 'Situationist International'. This cinematic essay uses their method of 'détournement' to decontextualize and rearrange preexisting audiovisual materials and texts to critizise them and create new meaning. The result is a subversive collage of ideological (moving) images from socialist and capitalist societies that are presented here as artefacts of a global media 'spectacle': Social relations between people are mediated by artificial images and false representations that transform humans into mere passive consumers and 'spectators' of their alienated existence. Guy Debord's motivation was to create a radical social critique and a disruptive, anti-illusionist cinema as an antidote and revolutionary tool against the dominant cultural and sociopolitical forces of his time.Сюжет (англ.)
How to become a killing machine in Algeria when, at the start, you are a Pacifist Breton. Let Lieutenant Perrin deal with this bunch of rebels and make them "true soldiers", who know how to shoot, who know how to torture, who know how to kill. Only Noël resists, only Noël tries to do something to put an end to this folly...Сюжет (англ.)
How to become a killing machine in Algeria when, at the start, you are a Pacifist Breton. Let Lieutenant Perrin deal with this bunch of rebels and make them "true soldiers", who know how to shoot, who know how to torture, who know how to kill. Only Noël resists, only Noël tries to do something to put an end to this folly...Сюжет
Живі версії легендарних пісень, зняті в старовинному амфітеатрі Помпеї.Сюжет (англ.)
A ragout of real memories and mockumentary, as Fellini explores a childhood obsession: circus clowns.Сюжет (англ.)
A ragout of real memories and mockumentary, as Fellini explores a childhood obsession: circus clowns.Сюжет (англ.)
A documentary about fraud and fakery.Фільтр Скинути фільтри
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